Archive for October, 2009

October 9, 2009

Back to the Garden…Flower Power Comes Full Circle

By Tami Sawyer

Back to the Garden started off the last day of screenings at the Fifth Annual Ellensburg Film Festival on Sunday, October 4, 2009.  All weekend there was a building buzz throughout moviegoers surrounding the film, which received the Best of Washington award at the festival’s Opening Gala and Award Ceremony on Monday, October 2, 2009. A packed house turned up to embrace the film and participate in a very active question and answer session following the screening with director Kevin Tomlinson, producer Judy Kaplan as well as several of the documentaries featured subjects that were in attendance to answer audience members queries.

This documentary covers an almost forty year span regarding the lives of a group of back-to-the-land movement “hippies” in Tonasket, a small town in Eastern Washington. The film follows the path each of their lives have taken over the years and their search for environmental utopias.  Self sufficient, communal lifestyles and gatherings along with their peace and  love attitude provide an intriguing yet strong socio-economic and environmental awareness to the big screen, as do many of the documentaries at this year’s festival, during today’s current green movement to protect the earth for future generations.

October 8, 2009

Waging Peace: An Important, Timely Documentary; An Invaluable Film-Going Experience

by Ben Conner

Approaching the 5th Annual Ellensburg Film Festival’s midpoint, I was treated to a screening of Randy Lobb and Brooks Bergreen’s Waging Peace. A documentary detailing Canada’s involvement in suppressing the Taliban in Afghanistan. The filmmakers try to distinguish themselves from every other post-9/11 war documentary by declaring, “this isn’t Iraq, and these aren’t Americans.” I’ll let the film’s audience discern the legitimacy of this claim for themselves, but I personally found that which was left unsaid by the mercifully sparse narration to be most compelling. For example, Waging Peace provided an in-depth look into the opium trade as a perpetrator of Taliban involvement in Afghanistan. Moreover, the film seems to denounce the media’s typical portrayal of war as a pseudo Apocalypse Now by instead showing the tediousness and monotony of the featured Canadian troop. The audience’s approval of this approach was evidenced by scattered murmurs throughout the screening. We were forced to observe the war for what it really is: a long, arduous journey to freedom for the currently occupied “Talibanistan.”

While this particular war is going on, modern media seems to be having one of their own, with popcorn flicks and infotainment on one side and thought-provoking, truth-seeking gems on the other. I’m happy to say that Waging Peace was certainly a member of the latter group. While the film did well to document Canadian soldiers as heroes, they made their disdain for America’s military habits obvious. They quickly differentiate between engaging in peace-keeping efforts, “fighting wars,” and were clear in asserting that the United States “fights wars.” This bold stance prompted some discussion amongst some of the audience members. Vanessa Williams, director of the preceding short film Hart, praised the film for its honesty, but “wasn’t sure” about its accusations against America’s military operations. She said, “I just feel like there’s more to it.” I, too, felt the film’s very obvious bias as the film continued to reiterate subtle jabs at Americans by saying “[Canadian troops] aren’t here on a pretext” and also expressing Canadians’ characteristic compassion and moral relativism. Powerful images of soldiers using their knives to sharpen local kids’ pencils or gently calming frustrated locals serve to support these claims visually, for which I commend the filmmakers.

As the documentary’s narrative wound down rather inconclusively, considering the Canadian troops never do eradicate the Taliban from Afghanistan, of course, the tone of the film becomes less explanatory and more hopeful. Ellensburg resident, Susan Colwell, noted that the film “obviously came from a desire to get to the heart of things” and added that she was “just really pleased and encouraged” by the film’s final message. The soldiers being documented expressed their optimism for finding the Taliban and freeing the people of Afghanistan from the threat and fear that they currently face. They seemed to genuinely care about the people they were fighting for, which was truly a heartwarming experience to see. The audience appeared satisfied with the film as they left with a general mood of contemplation and serious interest. I, on the other hand, left with a feeling of gratitude towards stimulating films such as Waging Peace, which don’t shy away from provocation but instead embrace diversity of opinion and aim to promote discourse about subjects that affect us all. Films that are characteristic of independent festivals such as this.

October 8, 2009

Waiting List: A Thoroughly Enjoyable and Subtly Daring Comedy About Parenthood

by Ben Conner

Inspired by a true story, The Waiting List follows a group of parents (or, in one case, a potential future parent) confined for a night in a preschool where they vie for a spot on the attendance sheet for their child. The night takes a series of turns ranging from the uncomfortably crude to remarkably poignant and ultimately presents a riotous and genuine look at parenthood. Wrought with a consistent quirkiness, a comedic auteurist voice and a habit of magnifying the taboo, The Waiting List was an incredibly promising debut effort from director Mike Vogel. The Waiting List was an important contribution to the weekend’s festivities.

The audience seemed to be a healthy mix of students and parents alike, and I was pleasantly surprised to find that the scope of the film’s humor seemed to encompass everyone. I suppose Dora the Explorer and the Disney princess references are universal these days. Never afraid to shy away from the raw, uncensored thoughts of parents, I found the humor to tread on the raunchy side at times. However, I think the consequential discomfort was one of the main reasons I enjoyed the film as much as I did. I was watching something that I hadn’t seen put on screen before. In that sense, The Waiting List really seemed to capture the spirit of independent cinema for me.

A striking characteristic of the film was its tendency to experiment with different narrative techniques. Some notable transitions included children awkwardly saying their ABC’s as the letters flashed on the screen and a parade of dirty words emphasized by garage band music. Additionally, the story seemed to be told as a series of vignettes, dealing with issues ranging from the moral justifications of abortion, spanking, along with pondering the practicality of Lincoln Log structures. I was dubious of this method at first, but it soon proved to be fairly effective, evidenced by the audience members around me whispering to their neighbors which characters they did and didn’t like. By telling the story as flashes of characters’ histories, personalities, and opinions the audience was able to dig into the depths of each character and make a judgement about them. This was probably the most fascinating aspect of the film for me. Something that you could only find in a self-funded independent comedy such as this.

Equally satisfying as the film itself was the proceeding Q&A with director Mike Vogel, producer John Vogel and actress Audrey Walker. The Ellensburg Film Festival facilitated discussions ranging from production values and screenwriting habits to how great Walker thought director Mike Vogel was to work with. Mike Vogel shared valuable insight into the world of independent micro-budget filmmaking. He explained that the film was only made possible by equipment donations from friends and actors willing to work pro-bono. For the future filmmakers in the audience Vogel’s testimony was inspiring. He encouraged all, who were so inclined, to utilize the technology that is available to us today and start learning the craft. Furthermore, Vogel alluded to the subject matter of his next film. Be on the lookout for another quirky comedy, this time about marriage, as the second installment of his self-titled “Domestic Trilogy.”

October 6, 2009

A Pirate for the Sea: Possibly One of the Most Influential, Controversial and Inspiring Documentaries to Ever Hit the Big Screen

by Veronica Houser

During the lunch hour on October 3, 2009, at the Fifth Annual Ellensburg Film Festival, I was awarded the privilege of attending Pirate for the Sea, this year’s winner of the “Best of Fest” film award. I was already excited for what I heard was a spectacular, yet disquieting, retelling of eco-activist Paul Watson’s journey through the two major oceans to put a halt to the unethical and brutal slaughtering of marine animals. Followed by his loyal crew, made almost exclusively of volunteers, Watson had encounters with  various individuals from numerous nations around the world that were participating on illegal whaling vessels, poachers that club baby seals or cut the fins off of thousands of sharks in addition to  many other disturbing situations on our ocean highways plus  protected and endangered marine sanctuaries.

While watching the film, I was horrified by the brutality expressed by so many seemingly heartless people; how can one consciously murder helpless, infant animals simply to make a buck? How can a person infiltrate the peace and majesty that is present in a designated whale sanctuary by massacring the animals that inhabit it? Perhaps one of the most unbelievable aspects of the film was that Watson received no support, even resistance, from police and legal authorities all over the world.

An hour and a half later, choking back the tears of sadness and disgust that threatened to overwhelm, I exited the theater to speak to Ronald Colby, the director of the film. Colby had followed Watson around the globe, filming all of his major interactions with his adversaries, as well as, compiling several archival clips to emphasize Watson’s ongoing struggle with legal authorities and the people who insisted on exerting such brutal violence upon the environment and its inhabitants; both marine and mankind.

I found Colby to be an extraordinarily insightful man; I used the opportunity to ask him a few questions based upon the documentary and its underlying message.  Naturally, the first question was what drew him to Paul Watson in particular. He answered simply by saying that Paul was concerned about the ocean and so was he. That Paul was willing to get out there and do something about it. He said, “I like people with initiative.”

During one of the scenes in the documentary, Watson expressed his disapproval of the consumption of meat by vocalizing his vegetarianism. Based upon the horrific treatment of animals and the way fishermen abuse the ocean’s seafood resources, I asked Colby what he thought about the consumption of meat; does he think it’s unethical or hypocritical? Colby’s response was quite noble; he has quit eating fish altogether, save for one pound of creamed herring per month. He enjoys shellfish and oysters, and pointed out that if enough people ate these sea creatures for a while and eased up on fish, it would give the ocean a chance to replenish the fish in the sea, allowing us to continue to eat fish in moderation without endangering any species. Colby said that the ethics of consuming meat, or any product, depend largely on how you buy it; is it organic, or not? One would be helping the environment a great deal if one bought exclusively organic meat and vegetables. Colby himself adheres to these suggestions; you won’t find any inorganic produce in his refrigerator.

The remainder of the session evolved into a sort of debate, as Colby expressed his strong opinions in the matters of planet conservation. He appears to believe strongly in population control and that if something is not done, the number of humans will spiral out of control and lead to the destruction of our precious planet. He also believes that the government needs to take a more active role in the education of the nation’s children, and from there stems improvement. Colby asserted that the true “evil empires” of the world are the chemical companies that destroy the land, pollute the earth and destroy countless species; the best way to fight this, according to him, is to boycott their products.

I found that speaking to this man was one of the most thought-provoking experiences of my academic career, and I felt truly inspired to strive towards improving the quality of my life  and ultimately the betterment of the earth. I asked Colby if he had any words of wisdom, or bits of advice, for anyone who wishes to become more active in this or other causes; after all, not all of us are capable of making documentaries. His response was simple, yet inspiring. Colby said that the best thing any of us can do is to begin in our own kitchens; pay attention to the food you eat and the cleaning products you use. Buy organic produce only; don’t support the chemical companies that destroy our planet. Think about the overall picture of importing expensive items such as cars and furniture along with other household items; the cost of fuel to transport these items can balloon into a shocking number. Then, beyond your own house, consider your own community. Pick up trash, get involved with community service and try to make a difference around you. If participation becomes substantial, a larger movement will emerge from these small steps. This is the philosophy endorsed and implemented by director Ronald Colby.

October 6, 2009

Mantra Not for the Faint of Heart

by Amy Davison

Tapestry is very bold, making use of a lot of graphic  imagery mixed with origami and video game style set to driving beats. There were freaky, techno, meowing cats that looked even more frightening. The film evoked some laughter and chatter after and was thought of as amusing and fun by many of those in attendance.

Mantra was creepy and very eccentric Guru with six dysfunctional characters. This film was intense for a non-horror  film patron. However, it was great, had creepy music and sounds and all. The character, Guru, steps backwards off cliff (purposely) and kills himself. Total grossness! Then things get even weirder, if that is possible, they finally start talking after the Guru dies even though it was a rule not to. They tell us their names, a bit about themselves and why they are seeking peace at the Buddhist retreat. The audience is lead on a  twisted tour of each of the peoples minds. The whole time I was saying to myself,  “where’s my pillow to hide behind!”

The audience did laugh  at a line that went something like, “but Gary we’re Jewish” as the character is making a sign with his hands to ward off the evil ghostly image of his dead wife. It broke a bit of the tension momentarily and then dumped us right back in to the six separate yet simultaneous nightmares. Fifteen minutes to go. What does it mean when you are counting  minutes? Maybe the film isn’t good, or your taste? For me, I was just practicing for later on when I would not be able to sleep.  Simply laying their watching the red numbers of my alarm clock flash past my eyes while I dreaded what might await behind the subconscious doors of my dreams. Mantra was very artsy yet creepy. I talked to several audience members afterwards. One of which who had followed the lead of various other audience members and did not return. After a brief discussion, it was mentioned that this genre of film was not her thing either. Her friend disclosed that the film was confusing and wondered which parts were really happening to the characters and which where their hallucinations. Overall, we summed it up as “weird” and that also seemed to be the common thought of people trickling away from the theatre.

October 6, 2009

A Day With Trimpin: The Sound of Invention at the Ellensburg Film Festival

by Ted Dempsy

Having been an Ellensburg resident since 1990 and a Central Washington University grad since 1998.  I have become accustomed to the ‘Burg that I know and see.  Though I live a block off campus, the University is no longer my all encompassing world.  My world is one of work and home.  Toil and art.  I am a silkscreen printer by day and Serigrapher by night.  I’m writing to you because my wife became the treasurer of the Ellensburg Film Festival this last year and I being a supportive husband (and pushover) have been roped into bartending, setting up, cleaning up, heavy lifting, hanging out and available for whatever they think I should do. I didn’t imagine they would ask me to write a review of my experience at an  EFF event but here we are.

My walk north through campus was delightful and filling having secured a foccaccia from Vinmans Bakery.  I enjoyed the sunshine and light fall breeze that reminds us that Winter looms.  I pass many new structures and some old ones from my past.  You can still see the toilet paper pyramids in dorm room windows and packs of undergrads screaming “Oh my God!”  Crossing the old Ganges footbridge on my way to the new music building. I can hear the build up for today’s football game at Tomlinson field.  I enter the CWU Music Recital Hall for the first time and am very impressed by the architecture and comfy chair.  The 50 or so patrons chatter in anticipation of what I have been told is a great film about art.

Trimpin: The Sound of Invention is about the artist known as ‘Trimpin’  His work has appeared all over the world.  You may be familiar with the tower of guitars at Seattle’s EMP.  He collects and creates, collaborates and invents.  He rejects our world to create his own.  Free but not alone.  Trimpin accepts the life/death/rebirth cycle of things.  There is no box to think outside of.  He lives.  This movie inspires me.  I’m very thankful for having seen it.

I walked out very impressed with the movie, facility and operation of the film festival.  Technical advisor, Jeff Shaw, had no problems and we were made welcome by EFF Vice President Sarah Haven.  I’m looking forward to seeing Back to the Garden on Sunday morning at 10:00am.  I think part of what makes EFF special to me is the local involvement and interaction between citizens, volunteers, students, board member, Gallery One, Central Washington University, filmmakers, out-of-towners and in-towners.

October 3, 2009

Ellensburg Film Festival Awards Announced

FOR IMMEDIATE RELEASE

OCTOBER 2, 2009

ELLENSBURG, Wash.- The Fifth Annual Ellensburg Film Festival held their Opening Gala and Award Ceremony this evening at the EFF Headquarters in Gallery One. The ceremony kicked off with a live performance by the Indie-pop-funk band Argus, who is a local band from Yakima, Washington. Following the band’s forty-five minute set, the Ellensburg Film Festival’s president, Pedro Bicchieri, took the stage and presented this year’s top awards for: Best of Washington to Back to the Garden, Best Short to Fan Mail, Best Documentary to Sweet Crude, Best Feature to World’s Greatest Dad and the EFF’s Best of Fest went to Pirate for the Sea. This year the Ellensburg Film Festival teamed up with IndieFlix to incorporate an online, audience driven film competition called Indie-Fest. Unseen Abilities was the recipient of the Indie-Fest award and will receive a 90-10 distribution deal with IndieFlix. Padro Bicchieri, one of the founding fathers of the festival, announced the passing of the torch to Sarah Haven who was this year’s vice-president. After a short acceptance speech, Haven announced that Inti Valverde will step into the role of vice-president for next year. Star Anna and The Laughing Dogs continued to carry the party atmosphere on into the early morning hours.

The ceremony was attended by many of the filmmakers and musicians. For example, Director Sean Christensen, Fan Mail, was on hand to accept the award for Best Short. Also, Director Ronald Colby, Pirate for the Sea, accepted the award for EFF’s Best of Fest. Also in attendance this evening, Director Kevin Tomlinson and producer Judy Kaplan of Back to the Garden. Musician Jon Davidson took part in the celebrations as well. When asked his perspective on the Festival’s Opening Gala he stated, “The award ceremony really kicked things off in style. Armani amidst a world of Jordache”.

The Festival’s desire to see an expansion in attendance to last year’s record has a promising outlook. Tonight the premiere screening of the short Endless Tunnel and the feature Sin Nombre started the festival off on the right foot with a packed house. Saturday, October 3, 2009, the EFF will host an entire day of screenings starting with the short Reap What You Sew and the feature Turning A Corner at the Central Washington University Student Union and Recreation Center (SURC) Theatre at 10:30am. Premiere Passes are available for $50.00; this package includes priority seating at every film, as well as admission to all other events throughout the weekend plus an EFF t-shirt. There is a special Six-Tix Deal which provides admission for six choice films for $30.00. Regular admission is $6.00 and there is a special discount for students for $3.00 with student ID.

For more information on ticket sales, screening times and locations or other EFF events please visit http://www.ellensburgfilmfestival.com. If you would like up to the minute updates you can follow the Ellensburg Film Festival on: Facebook, Myspace, Twitter (EburgFilmFest), and WordPress.

This event is sponsored by: Laughing Horse Arts Foundation, Gallery One Visual Arts Center, IndieFlix, TLS Design Studio, Ellensburg Arts Commission, Withoutabox, Central Washington University Diversity Education Center, Iron Horse Brewery, Sage Cliffe, Rufus Tech, Jerrol’s Book & Supply Co., D&M Coffee, Lily’s Cantina, Bluestone Academy, and Wahluke heights Orchards.

Media Contact: Tami Sawyer, EFF Public Relations & Marketing, press@ellensburgfilmfestival.com

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October 3, 2009

Sin Nombre: A Shocking and Disquieting Tale of Courage, Love, and Hardship

By Veronica Houser

On the eve of Friday, October 2, 2009, I was awarded the privilege of attending the Ellensburg Film Festival’s screening of Sin Nombre, a story which depicts the separate lives of a Mexican boy and a Honduran girl. It illustrates how their lives eventually intertwine. As the lights died and the movie began to roll, the air turned electric with the anticipation of the 88 film enthusiasts that nearly filled Central Washington University’s Music Recital Hall.

The central hero, Willy, is a friend, a lover and also a member of a dangerous street gang. His life revolves around the protection and sanctity that this brotherhood appears to offer him. But when kinship turns to betrayal and violence, in addition to the murder of Willy’s beloved girlfriend, our protagonist begins to realize that he must attempt to break away from the family that has begun to become his prison. In an attempt to loosen the chains that bind him, Willy defends the life and chastity of Sayra, whom the gang’s leader attempts to victimize. When the gang discovers that their leader has been murdered, Willy’s name appears at the top of their hit list. Forced to remain aboard the train that is illegally transporting Sayra and her family to the border, Willy and the girl are thrust into a relationship of hardship, trust, and love.

After nearly two hours of grueling emotional tension and cinematic awe, I seized the opportunity to interview fellow movie-goers Dave Schott and Aaron Siebol to learn what the general audience thought of the film. In the beginning, both men expressed mutual opinions, stating, “it was an excellent movie, [we] would definitely recommend it.” However, opinions of the overall film clearly differed; Mr. Siebol said that overall, “I didn’t love it. I thought it was a good portrayal of the worries and stresses of life in Mexico, but I really wasn’t convinced with the love story [between Sayra and Willy]. It seemed to me like [the actors] were kind of trying to force it.” Contrary to this opinion, Mr. Schott rebutted, “I was willing to believe it. [Sayra] obviously had a disconnection with her own family. She probably loved [Willy] because he saved her, and I think that we just can’t appreciate how much that meant to her.” Schott also said he thought the movie was “very powerful” and “accurately highlights the troubles and poverty occurring in Mexico.”

I was curious as to why Willy would have remained in a gang that was both his prison and his freedom, so I asked a few more questions and received some very insightful answers. Audience members astutely declared that poverty is pushing the immigration movement, as well as causing the necessity for gangs. For many, these gangs serve as their sole social outlet, as well as providing a haven of protection for a population unable to obtain jobs.

I am quite excited for the remainder of the festival, as are the other viewers of Sin Nombre. When prompted, I discovered that the most anticipated films are “World’s Greatest Dad,“Back to the Garden,” and “Monster Camp.” However, the winner by far is “Pirate for the Sea”; almost everyone I talked to expressed extreme interest in this movie. I plan on attending several more movies and hope to meet many more guests of the Festival.

October 3, 2009

Ellensburg Film Festival Opens With Lights, Camera, Action!

ELLENSBURG, Wash.- The Fifth Annual Ellensburg Film Festival began with its opening press conference for media sources at 3:00p.m. today in Gallery One. Sarah Haven, vice president of the Festival, announced the beginning of the festivities tonight at 7:00p.m. in the Central Washington University’s Music Recital Hall where the films Endless Tunnel and Sin Nombre will be screened. Haven also introduced musician Jon Davidson, who will be performing tomorrow night at the EFF’s Bar Noir. This event will take place from 9:00p.m until 2:00am in the main gallery at the EFF headquarters, located at 408 N. Pearl Street in downtown Ellensburg, Washington. This evening, everyone is invited to attend the Opening Gala and Awards Ceremony, also located at Gallery One at 9:00pm to 2:00am. As an extra bonus this year, the event will also feature the live music by Argus, who will open for Star Anna and The Laughing Dogs. This is the first opportunity to hear the awards for best documentary, best short film, best feature and the Best of Fest announced. It will also be an excellent chance to mingle with visiting film-makers and other film enthusiasts.

The Festival is hoping to see an expansion in attendance of last year’s record of over 2,000 film-goers. A Premiere Pass is available for $50.00; this package includes priority seating at every film, as well as admission to all other events throughout the weekend plus an EFF t-shirt. There is a special Six-Tix Deal which provides admission for six choice films for $30.00. Regular admission is $6.00 and there is a special discount for students for $3.00 with student ID.

Secretary Amy Davison expressed her enthusiasm for the festival by stating, “I am excited for the full weekend we have ahead of us. We have some spectacular films and great entertainment. I’d also like to extend a special thank-you to all of our sponsors; this just wouldn’t be possible without them.”

The festival will continue throughout the weekend until Sunday night, October 4, 2009, with all screenings taking place on Central Washington University campus. The EFF headquarters, located at Gallery One will be open throughout the weekend for anyone with questions.

This event is sponsored by: Laughing Horse Arts Foundation, Gallery One Visual Arts Center, IndieFlix, TLS Design Studio, Ellensburg Arts Commission, Withoutabox, Central Washington University Diversity Education Center, Iron Horse Brewery, Sage Cliffe, Rufus Tech, Jerrol’s Book & Supply Co., D&M Coffee, Lily’s Cantina, Bluestone Academy, and Wahluke heights Orchards.

Media Contact: Tami Sawyer, EFF Public Relations & Marketing, press@ellensburgfilmfestival.com
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